{"id":15609,"date":"2019-10-08T16:32:34","date_gmt":"2019-10-08T14:32:34","guid":{"rendered":"https:\/\/www.laboite-kilanigroupe.com\/?page_id=15609"},"modified":"2025-09-29T16:46:43","modified_gmt":"2025-09-29T14:46:43","slug":"samawati-delel-tangour","status":"publish","type":"page","link":"https:\/\/www.laboite-kilanigroupe.com\/en\/samawati-delel-tangour\/","title":{"rendered":"Samawati \u2013 Delel Tangour"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” el_class=”colLeftPub” width=”1\/2″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text el_class=”descriptionPub pub-1 textExpoInterne”]\n

Delel Tangour<\/span><\/a>
\n\u00abSamawati\u00bb<\/span><\/h1>\n

Januar 2014 I May 2014
\nLa Bo\u00eete I Un lieu d\u2019art contemporain<\/p>\n

Delel Tangour’s photographs capture what is imperceptible to us in action: the truth of latencies and intervals. Thanks to a mastery of framing, they stop time in its tracks by capturing the “decisive moment”, depending on the amplitude of the movement. This process of composition by decomposition seduces the eye by circulating the truth of the image between the clue and the fiction.
\nRachida Triki
\nTunis, 2014<\/p>\n

”In his series of ‘equivalents’, Stieglitz boldly retained in his photographic framing only the ever-changing drawings of the cloud layer as seen from the ground. Here, Dalel Tangour combines the sumptuousness of the cloud formations with the derisory and delicate points of attachment and scale of the minaret, colourful clothes pegs and human silhouettes of construction workers. The swirls exalt the artist’s eye as the background to three scenes that exult in banal mode.”<\/p>\n

Jo\u00ebl Savary
\n2014<\/p>\n

… In this way, she defines a personal celestial cartography: by interweaving the plurality of possible points of view at the boundary between the worlds of ‘impossible’, ‘unimaginable’ or ‘forbidden’ thought, she weaves another map of the world for the future – a map, we hope at least, more sensitive to individual points of view …
\n… Despite the events whose unpredictable consequences are masked by the furious clouds, the scenography of the storm in her series of photographic works Mes Cieux Samawati is not a mirror-image of what the world really looks like: rather, it is a resonance of what it feels like to look at the world today – from Dalel Tangour’s ethical and emotional position.”<\/p>\n

Marko Stamenkovic, 2014<\/p>\n

“La grande photographe Dalel Tangour (1956), avec Mes cieux – Sawamati, pr\u00e9sente-t-elle \u00e0 La Bo\u00eete, dans ses clich\u00e9s aust\u00e8res, une vision en suspension de la Tunisie, ciels laiteux et espaces vides d\u2019un pays qu\u2019on pourrait croire en bord de ruine ?”<\/p>\n

Paul Ardenne<\/a><\/p>\n

 <\/p>\n

> Biographie<\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/2″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_gallery type=”nectarslider_style” images=”6786,6787,6785″ flexible_slider_height=”true” bullet_navigation_style=”see_through” onclick=”link_no”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none”…<\/p>\n","protected":false},"author":8,"featured_media":11989,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"categories":[57],"tags":[],"class_list":{"0":"post-15609","1":"page","2":"type-page","3":"status-publish","4":"has-post-thumbnail","6":"category-exhibitions"},"aioseo_notices":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/pages\/15609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/comments?post=15609"}],"version-history":[{"count":2,"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/pages\/15609\/revisions"}],"predecessor-version":[{"id":15611,"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/pages\/15609\/revisions\/15611"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/media\/11989"}],"wp:attachment":[{"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/media?parent=15609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/categories?post=15609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.laboite-kilanigroupe.com\/en\/wp-json\/wp\/v2\/tags?post=15609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}