{"id":15635,"date":"2023-06-06T12:49:19","date_gmt":"2023-06-06T10:49:19","guid":{"rendered":"https:\/\/www.laboite-kilanigroupe.com\/?page_id=15635"},"modified":"2025-10-06T15:35:18","modified_gmt":"2025-10-06T13:35:18","slug":"hela-lamine","status":"publish","type":"page","link":"https:\/\/www.laboite-kilanigroupe.com\/en\/hela-lamine\/","title":{"rendered":"HELA LAMINE"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_link_target=”_self” column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/4″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]Chacha Atallah<\/a>
\r\nSafa Attyaoui<\/a>
\r\nSelim Ben Cheikh<\/a>
\r\nWalid Ben Ghezala<\/a>
\r\nYesmine Ben Khelil<\/a>
\r\nLina Ben Rejeb<\/a>
\r\nHammadi Ben Saad<\/a>
\r\nSafouane Ben Slama<\/a>
\r\nmohamed ben slama<\/a>\r\nMohamed Ben Soltane<\/a>
\r\nAmel Bennys<\/a>
\r\nYmen Berhouma<\/a>
\r\nMeriem Bouderbala<\/a>
\r\nPolly Brooks<\/a>
\r\nCristian Chironi<\/a>
\r\nF\u00e9rielle Doulain-Zouari<\/a>\r\nHichem Driss<\/a>
\r\nFakhri El Ghezal<\/a>
\r\nMoufida Fedhila<\/a>
\r\nAnne Francey<\/a>
\r\nA\u00efcha Filali<\/a>
\r\nMalek Gnaoui<\/a>
\r\nMouna Jemal Siala<\/a>
\r\nFarah Khelil<\/a>
\r\nNacer Khemir<\/a>
\r\nSkander Khlif<\/a>
\r\nNic\u00e8ne Kossentini<\/a>
\r\n Mouna Karray<\/a>
\r\nHela Lamine<\/a>
\r\nIbrahim M\u00e0touss<\/a>
\r\nAymen Mbarki<\/a>
\r\nElma Riza<\/a>
\r\n\u00c9lise Provencher<\/a>
\r\nFatim Soumar\u00e9<\/a>
\r\nSaif Fradj<\/a>
\r\nNabil Saouabi<\/a>
\r\nVerena Schneider & Ava Binta Giallo<\/a>
\r\nDelel Tangour<\/a>
\r\nAli Tnani<\/a>
\r\nHaythem Zakaria<\/a>
\r\n\r\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”2\/4″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_column_text]\n

Hela Lamine<\/span><\/h1>\n

Hela Lamine, born in 1984, is a Tunisian multidisciplinary artist and a teacher at the Higher Institute of Fine Arts of Sousse. She lives and works in Tunis.<\/p>\n

Since 2010, she has been developing a hybrid practice that centers around the human being and what they consume: food, social networks, politics, culture, tradition, identity, and more. She is interested in the representation of the body, its \u00ab\u00a0aura,\u00a0\u00bb and she questions the boundaries that separate its \u00ab\u00a0unique\u00a0\u00bb property from the \u00ab\u00a0multiple,\u00a0\u00bb the \u00ab\u00a0matrix\u00a0\u00bb from the \u00ab\u00a0reproducible,\u00a0\u00bb the \u00ab\u00a0consumer\u00a0\u00bb from the \u00ab\u00a0consumed.\u00a0\u00bb She seeks to create mechanisms that can generate confusion between what is visible and what can be concealed, playing with the delicate limits that separate these two territories, often with humor and derision.<\/p>\n

Since 2019, in her studio-orchard in Mornag, she envisions models, ephemeral immersive installations, virtual reality worlds, all revolving around the theme of communication and connection with the non-human, specifically trees. In biomimicry, she explores alternative possibilities for human life on a planet disrupted by climate change while respecting all forms of life. To achieve this, she attempts to imagine, through drawing, the creation of hybrid objects, and experimental videos, the stages of a potential process of transformation or mutation.<\/p>\n

Ultimately, she seeks to redefine her own place within this ecosystem. Ideally, she envisions a form of harmony that could naturally link her to this entirety.[\/vc_column_text][vc_column_text]\n

Perfume me ’cause i love you<\/a><\/h3>\n

La Bo\u00eete Hors les Murs – Galerie Fatales Palmarium I Novembre 2016<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” width=”1\/4″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”]

\"Hela<\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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